‘RDX’ film evaluate: Delivers no-holds barred motion, and nothing extra

A sobered-down fighter, carrying in his gait and time-worn face the glimmers of a bloody previous, occurs to be a generally used trope in mass actioners. In RDX, we’ve got not only one, however three skilled martial arts fighters, Robert (Shane Nigam), his brother Dony (Antony ‘Pepe’ Varghese) and their good friend Xavier (Neeraj Madhav), who’ve left their previous behind settled down into their comparatively extra peaceable lives. But, the embers of previous combats haven’t absolutely died out, and will reappear anytime, disrupting their serenity.

In Nahas Hidayath’s debut directorial, a daring dwelling invasion and brutal violence seems because the triggering level, upsetting the peace that exists within the lives of the protagonists. It’s the occasion round which the quite a few combat sequences that fill the movie are written, for it has a connection to their previous and a bearing on their future. In a number of the latest Malayalam movies stuffed with one combat sequence after one other, one will get a sense that they had been searching for a purpose to combat; in RDX, the previous occasions justifies the motion that follows most often.


Director: Nahas Hidayath

Forged: Shane Nigam, Antony ‘Pepe’ Varghese, Neeraj Madhav, Mahima Nambiar, Vishnu Agasthya, Babu Antony, Lal, Aima Rosmy Sebastian

Period: 154 minutes

Storyline: Skilled martial arts fighters Robert, Dony and Xaiver, who had settled all the way down to their peaceable lives get again to their combating methods after one among them faces a violent assault.

For added measure, one among them even preaches the worth of restraining oneself, when one is possessed with such combating powers, a maxim which they don’t essentially comply with on a regular basis. As one combat makes approach for one more, one is reminded of movies like Thallumalaand Ajagajantharam, which additionally adopted comparable strategies to woo a predominantly younger viewers. RDX definitely lacks the technical aptitude or finesse of those movies, but it surely makes up for it in having a bare-minimum story, which supplies the viewers the emotional have to root for the three, and in having some pulsating motion sequences courtesy the motion choreographer duo Anbariv.

However the best way the movie portrays individuals from a colony of economically and socially deprived as violent hooligans — with repeated references to their ‘colony’ background and even the portrayal of their space as a hazard zone — seems problematic. A lot of the motion sequences pack a punch, with Neeraj Madhav and his ‘nunchaku’ fights being the standout. Even Mahima Nambiar, who’s in any other case relegated to a comparatively minor character, will get one brief, however efficient motion scene. In comparison with what she does, what Babu Antony (the motion hero of the Nineteen Nineties) will get to do in direction of the fag finish of the movie, is moderately tame.

But it’s Vishnu Agasthya, taking part in the antagonist Paulson, who leaves behind an impactful efficiency and manages to persuade us of him being equal to the mixed power of the three martial arts consultants. The repeated use of festivals, which offer the potential for assembling a big crowd, because the staging floor for ‘mass scenes’ have begun to get repetitive. Though it must be mentioned that almost all of them handle to do one thing distinct with the motion sequences.

RDX guarantees to ship no-holds barred motion and delivers simply that, and nothing extra.

RDX is presently operating in theatres

Leave a Comment