Jaikishore Mosalikanti offered Kuchipudi in various codecs

Mosalikanti’s School of Kuchipudi. Performance at  The Music Academy during the Margazhi dance festival held in January 2023. i

Mosalikanti’s College of Kuchipudi. Efficiency at  The Music Academy throughout the Margazhi dance pageant held in January 2023. i
| Photograph Credit score: RAVINDRAN R

Properly-rehearsed and synchronised, Jaikishore Mosalikanti, Padmavani and together with dancers from Shivamohanam, pretty scorched the stage at The Music Academy with the Tyagaraja pancharatna kriti, ‘Jagadananda karaka’ (Nattai). The visualisation by guru Vempati Chinna Satyam was tailored by Jaikishore for a gaggle — one ought to respect the proper timing of the frequent entries and exits, however the motion turned tiring after some time, distracting from the great thing about the piece, whose order of charanams required correction as properly.

In fact the performing arts must be dynamic for the sake of continuity.

As per the late scholar Sunil Kothari, there’s historic proof of the Kuchipudi dance drama custom within the Telugu-speaking areas within the fifteenth century.

Students from Mosalikanti’s School of Kuchipudi, Shivamohanam performing during the Margazhi dance festival hosted byThe Music Academy, in Chennai, in January 2023.

College students from Mosalikanti’s College of Kuchipudi, Shivamohanam performing throughout the Margazhi dance pageant hosted byThe Music Academy, in Chennai, in January 2023.
| Photograph Credit score:

From the Thirties to the liberty motion, when indigenous artwork types have been being revived, Vedantam Lakshminarayana Sastri and his son Jagannath Sarma, travelled throughout erstwhile Andhra presenting solos for the primary time. They went on to show ladies, added Tarangams (dancing on the brass plate) and extra to popularise Kuchipudi.

The solo model remained and ladies turned the celebs. However, now Kuchipudi group displays are making a comeback, not as dance dramas, however by adapting solo choreographies or creating new ones. Whereas that is extra inclusive, it requires standardisation, sacrificing the gorgeous lilt and folksy flavour of Kuchipudi.

There’s no faulting Jaikishore’s selection of songs and musicians — Sweta Prasad as singer, Easwar Ramakrishnan (violin), Muthukumar Balakrishnan (flute), together with S. Aadith Narayan (nattuvangam) and B.P. Hari Babu (mridangam).

Students of Shivamohanam, Mosalikanti’s School of Kuchipudi, during a performance at The Music Academy’s Margazhi dance festival, in January 2023.

College students of Shivamohanam, Mosalikanti’s College of Kuchipudi, throughout a efficiency at The Music Academy’s Margazhi dance pageant, in January 2023.
| Photograph Credit score:

‘Omkarakarini’ (Lavangi, Adi, M. Balamuralikrishna), a duet between Jaikishore and Padmavani, detailed Devi as Durga the fierce warrior and because the compassionate one, with a slow-paced jathi in between. Then got here the piece de resistance of the night, ‘Vedalera vayyarulu’ — a daruvu, an excerpt from Guru Vempati’s dance drama ‘Vipranarayana Charitham’. Set to raga Kedara Gowla and Adi tala, written by Devulapalli Krishna Sastri, music by Balantrapu Rajani Kanta Rao, it offers with a girl, Devadevi, ornamenting herself to entice saint Vipranarayana. Her stroll and smile have been a delight to look at; it introduced out the very best in Kuchipudi. It was carried out by Vedya Sphoorthi Konda, Ala Gopal and Lekshmi Reghunath.

Once more Siva Tarangam (Narayana Tirtha, set to Ragamalika and Adi tala, music by Ramesh Jetty, choreography by Jaikishore Mosalikanti) was an ensemble occasion, highlighted by the nadai-bedam brass plate sequence. Kudos to the dancers and musicians for the proper timing. The opposite dancers within the group have been Abhinav Ashok, Sammohana Mosalikanti, and Sathwika Reddy. Jaikishore Mosalikanti’s ‘Kuchipudi Nrityamaalika’ was excessive on vitality however not on bhava.

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